Gus Butler recently interviewed me for CVLT Nation, an interview which covered both my writing and music activities. This made for an interesting exchange, beyond the usual questions. We started via Facebook private messaging, and continued via email, and Gus included the less formal early exchanges.
In his novel, Hieroglyphs of Blood and Bone, for example, he shows us a man of 50, post-divorce, who meets a mysterious woman whose appearance in his life pushes him out of a funk. That description might sound like countless Hollywood afterthoughts, but Griffin uses that familiarity to slowly pulsate his narrative into desolate ambiguity and cosmic unease. By the end of the novel, a reader can’t be sure how much of the narrative to trust at all, nor the actual fate of its hapless characters. Much of Griffin’s writing is almost like cosmic horror glimpsed through a rotting fence: there are rarely the blood-soaked set-pieces that some horror fans come to the party for; monsters are limited to the hidden beasts many humans act to ignore within themselves. Yet, SOMETHING is happening behind the shroud of reality.
My thanks to Gus Butler for the interesting questions and ideas, and to cvltnation.com for hosting the interview.