My Story “The Lure of Devouring Light” in Apex Mag

My story “The Lure of Devouring Light” is now available in the April 2013 issue of Apex Magazine. I’m very proud and excited to have a story of mine appearing in such an excellent and prominent periodical.

I’ll have more to say about this magazine and this story, but for now, here’s a link. It’s available to read for free, and you can also purchase a PDF or a (Kindle) MOBI or (iPad/Nook) EPUB file.

http://www.apex-magazine.com/the-lure-of-devouring-light/

http://www.apex-magazine.com/the-lure-of-devouring-light/

My thanks to Editor Lynne Thomas and Publisher Jason Sizemore for featuring my work!

Guest Appearing at the H.P. Lovecraft Film Festival

I’ve just learned that I’ve been accepted as a “guest” at the H.P. Lovecraft Film Festival this May 3-5 here in Portland, Oregon.

I’ve very much enjoyed the HPLFF on the two occasions I attended previously, both times with my wife Lena. We planned to attend again this year, especially after we heard our friend Joe Pulver was going to attend.

The good people who are organizing the festival, Gwen and Brian Callahan, held a Kickstarter to help fund and support this year’s event. The last stretch goal, reached with two days to spare, helped pay to fly Joe over from Berlin, as well as to bring in Mike Davis of Lovecraft eZeine from Texas. We’re putting Joe up at our place while he’s in Portland, in fact, Mike Davis is staying with us for a night too. The Griffin residence will be the coolest place in Southeast Portland!

Here’s a partial list of guests, straight from the Kickstarter page:

CONFIRMED! Sandy Petersen, the creator of The Call of Cthulhu® RPG, is our guest of honor!

CONFIRMED! Clive Barker’s Nightbreed: The Cabal Cut will make it’s Pacific Northwest premiere (and only scheduled showing in this part of the country) at our festival, introduced and with Q&A by restoration director Russell Cherrington.

CONFIRMED! Robert M. Price, Editor and Lovecraft scholar will be a guest at the festival and officiating alongside Cody Goodfellow, author, at the Cthulhu Prayer Breakfast.

CONFIRMED! Joe S. Pulver, author of Sin & Ashes, and Mike Davis, creator of the Lovecraft Ezine are coming to the fest, thanks to our Kickstarter backers!

CONFIRMED GUESTS! Even more guests will be here to entertain, amuse, and horrify you. So far, you could meet Nick Mamatas, Orrin Grey, Ross Lockhart, Wilum Pugmire, Mike Dubisch, Jeff Burk, Edward Morris, Keith Baker, Lee Moyer, Nick Gucker, Molly Tanzer, Richard Lupoff, Sean Branney, Thomas Phinney, and many more!

What a great list of eminent cool Lovecraftians! And me, of course.

Joe nudged me to fill out a guest application for the event. See, the festival runners choose potential guests among the many Lovecraftian filmmakers, authors, editors, publishers, scholars and assorted other talented and interesting types. Though I may lack both reputation and eloquence as compared to these other excellent folk, I’ll try to hold my own, and will compensate by wearing my red pants at least once.

Luckly I’m not at all afraid of getting up in front of a crowd. More the opposite, really – eager to jump around and spout nonsense.

More seriously, I’m not sure if this “guest” thing will involve being on one or more panels, or participating in a group reading, or what. Really looking forward to this, not just the guesting, but the chance to see many great friends, including some never before seen in the flesh!

Check out The Arkham Digest

Anybody interested in the kind of thing I blog about, particularly the books I review, will probably find a lot to like at Justin Steele’s blog, The Arkham Digest. Justin doesn’t just review books, but also does interviews and talks related matters such as video games and movies. Check it out:

THE ARKHAM DIGEST

There’s also a Facebook, so you can “like” The Arkham Digest and be notified of new posts, here.

Google Minus

For a while I really thought Google Plus AKA Google+ was going to rise up and become the next big social network after Myspace and then Facebook. Half the people I know signed up for G+ during a short period of time, and there were even a few who said “Screw Facebook, I’m outta there — it’s just G+ for me from now on.” Facebook was certainly showing signs of losing their shit.

And for a while I crossposted all my Twitter and Facebook stuff to Google+ and it looked like the whole world might gradually shift on over, just like many people did from Myspace to Facebook half a decade ago.

Somehow Facebook managed to pull back from the brink, stem the tide of pissed off people shutting down accounts, and G+ saw a sudden and gigantic surge of spammy-looking traffic. When I first went to G+ I had only a small number of people in my circles and not many more than that add me to their circles, but soon I was had twenty or thirty people adding me per day, almost none of whom I actually knew in real life. It works OK to have a mix of people you know in the real world along with some virtual friends and a few people you don’t actually know or even understand why they’ve added you. But at some point if the number of people to whom you have no connection start adding you, it starts to feel like a big spamfest. It feels like Myspace all over again, people mass-adding friends as quickly as they can to promote their business or their band or their self-published novel.

Now I haven’t been to Google Plus in a week or two. I check the email notifications and see if any of the people who have added me are people I know in real life, or at least “friends of friends” that I could justify adding to a circle. Most of them are just complete strangers who seem to lack any reason to have added me to their circles. 

I always figured social networks had an inevitable curve, where they grow until they become too big to remain manageable. At that point the incentive for spamming, self-promotion and deceit become too great, and they become a mess of ads, spam and junk . Is it possible Google Plus will be the first social network to reach that point without ever having actually succeeded first? That it might go straight from growing new network, to totally washed-up commercial wasteland?

Check Out Weird Fiction Review’s New Ligotti Interview

Another day, another interview link. Well, this is more than that — also a heads-up about a great new and interesting web site created by Ann and Jeff VanderMeer: Weird Fiction Review. It’s great to see this sub-genre given such a clean and professional presentation. The site seems to have been created as a launching point for the VanderMeers’ massive upcoming anthology, The Weird, yet most of the content is only indirectly related to that volume.

There’s a lot to see here, but what inspires me to point people in that direction today is a fascinating new

William Gibson’s “Art of Fiction” Interview From Paris Review Is Now Online

I like William Gibson and consider him more interesting than most writers. I like his work, and I’m interested in how he’s transcended genre to become a nearly mainstream celebrity as exemplified by his appearance in a place like Paris Review. He’s a weird, smart, thoughtful guy.

This interview is worth a read if you’re a fan of Gibson, or if you’re a writer in any genre interested in writing process, or if you’re a reader curious about the point where futurism and science fiction intersect with a literary perspective. It covers a lot of ground, and reminds me that of the 20th and now 21st century’s best interviews of fiction writers, most are part of the Paris Reviews “The Art of Fiction” series.

http://www.theparisreview.org/interviews/6089/the-art-of-fiction-no-211-william-gibson

Scribophile Follow-Up

Just a quick follow-up to yesterday’s post about Scribophile. Yesterday evening I posted part one of my story “An Experiment in Dreaming” and in the first 24 hours received three lengthy, detailed critiques. On Scribophile, a new member’s first post is “spotlighted” so this will probably not be typical. Once a posting receives three crits, it drops off the new member spotlight (though it’s still eligible to make it to the main spotlight, via some kind of queue, or other spotlights such as the “good critiquer” spotlight, another way Scribophile gives incentive for people to give good critiques).

I wrote a second critique today, and haven’t heard back from the writer of either story I critique. I tend to pull no punches in my crits, though I always try to be 100% constructive. Most people like that, some people get hurt feelings. Either way is OK with me. If I hurt someone’s feelings with an honest, well-intentioned crit, I won’t bother them again. Most people see it for what it is, which is an honest, good-faith expenditure of my own time and mental energy to help them make their story better and more publisher, and possibly also to teach them something about how their writing is received by an objective observer.

I posted the second half of the same story earlier today and haven’t received any critiques yet, because it’s not going to go on the new member spotlight (because it’s not my first post), and it’s not yet eligible for the main spotlight (not sure yet how long that normally takes). It could end up in the “good critiquer” spotlight before it makes the main spotlight, if I attain that status. I know I was yesterday’s overall top critiquer (measured purely by length of critique in terms of word count) so maybe I will attain some kind of overall “good critiquer” recognition. Who knows, not counting on it.

One of my FB friends with whom I’d shared complaints about The Cult forums also signed up at Scribophile so we’ll see if his experience is positive as well.

Lastly regarding yesterday’s snark about people on The Cult emulating Chuck Palahniuk, writing gimmicky attempts at “transgressive” fiction, I thought I’d make perfectly clear that I don’t consider Palahniuk himself a gimmicky writer. I think he’s a very strong stylist, a great storyteller, and the essays of writing instruction he posted for members on The Cult were really fresh and informative. The problem is the many youngsters misundertanding what Chuck is all about, focusing on the rough edges and harsh details while they miss the heart of what he’s doing. I remain a big fan of Chuck P.

Online Critique Community at Scribophile.com

Ever since I took part in the online writing workshop at The Cult forums (offshoot of chuckpalahniuk.net) with Craig Clevenger, I’ve been participating in the main workshop area on that site. I encountered a few good writers and a handful of people willing to write good critiques, and started to believe this mght be a nice way of getting a bit of extra perspective on a few of my “trouble” stories. More and more, though, people on The Cult gravitate toward writing and critiquing only flash fiction, usually trying too hard to be edgy or transgressive in a Palahniuk-ian way. So more and more, I drift away, and don’t bother posting critiques there, because the “tit for tat” thing just isn’t happening there. The last story I posted only received a single, brief, moderately helpful critique in the first month it was up there. Post a 600 word piece about lighting your girlfriend on fire, though, and you’ll get fifteen critiques in two or three days.

One of the writers I encountered on The Cult who seemed on the same wavelength as me suggested Scribophile so I’ve signed up for an account there. I gave some consideration to trying Critters or OWW, but they both seemed less active, from what I was able to see. Scribophile is a much busier community, at the very least, and there’s a cross-section of more and less experienced writers, and people doing all different kinds of genres and styles, even a few people posting scripts and poetry. The system by which points are earned for critiques seems to reward more sincere, in-depth appraisals and suggestions, though of course it’s really the length of the critique that is being rewarded so I suppose some people might end up gaming the system by posting extremely wordy stream-of-consciousness crits. Haven’t seen that yet, though.

I’ve only posted a single critique (very long, but completely sincere and well-intentioned), and half of one story. It costs the same number of “karma points” to post a short story as a longer story, but I figured I’d have a better chance of having my  5,000 word story (the same one that only garnered a single critique on The Cult) if I split it in half. That way people who hate reading longer chunks of text can eat it in smaller bites, and receive more karma points as a reward for reading two separate stories. We’ll see how this goes.

The story I’ve posted is actually one of my earlier stories, a science fiction piece about a prison on the moon and a prisoner who is given an experimental treatment in an attempt to rehabilitate him. It’s a ‘broken’ story, and I know what’s wrong with it: the protagonist is in prison, and it’s difficult to give him an active role in either his treatment or his progress toward trying to get out of prison. Prisoners are by definition restricted as to how much autonomy they have, so the character ends up being more passive than I’d like, sort of accepting what treatments are offered to him and only barely taking action to drive the process forward. I’ve been looking at this thing too closely for too long, and can’t really see my way out of it, at this point. I’m sure if someone else posted this story with different names and in a different setting, I’d zoom right in on what this other writer needed to do in order to punch up the protagonist-ish-ness of the characater and give him a way of needing something, wanting something, and pursuing it over all kinds of obstacles. It’s so much easier to see what needs to be done with some other person’s stupid, faulty idea.

If anybody reading this is looking for a new critique community to check out, I’d at least tentatively recommend Scribophile.com. People there seem friendly and involved, and the system seems well-designed to make sure story submissions of every type receive at least a few critiques. There are all kinds of social networking aspects to create additional opportunities for people who are friendly, good at networking, or who give good critiques.

Publication Day: Remodel With Swan Parts

My story “Remodel With Swan Parts” is live today at Electric Spec!

Links:

Remodel With Swan Parts

May 2011 issue “Letter From the Editors” including summaries of contents

Of my story, they say:

And for those of you who are wondering just how far the trend of botox and boob jobs will go, check out “Remodel with Swan Parts” by Michael Griffin. Safe to say, the trend ain’t pretty.

I’ll have more comments, notes and celebration to offer soon, but wanted to get the links up.

That good news I mentioned

I recently mentioned that I had received good news about my writing, but that I’d wait to post the specifics until it was more definite. Since then I’ve received and approved the edited proof of my story, and it’s going to be published at the end of May.

The venue is Electric Spec, a fairly established (in its sixth year) online science fiction, fantasy and horror periodical. My story isn’t online yet but you’ll be able to see it at http://www.electricspec.com/ — of course I’ll post a more direct link once it’s available.

The story is called “Remodel With Swan Parts.” It’s near-future science fiction set in a very changed Seattle, after a point when Seattle has shifted away culturally from the rest of the country. It’s one of my favorite examples of my own work, and I think represented a sort of watershed for me last year when I really started to “get” the kind of rich and vivid detail needed to bring a story to life. When I finished it, my wife Lena asserted with absolute certainty that it would be my first story to be published.

I won’t give away anything else about the story yet, but of course I’ll mention it again here by the time it’s available to read. I’m hard at work creating new stories and making them as wonderful as I can, so other editors will choose to convey them into the world. I hope to have more such announcements in the future.