What’s in the Book? (Second Part)

I wrote a previous post HERE in which I began discussing each piece in my upcoming collection, The Lure of Devouring Light. Here’s part two, which covers the second half of the book, the bold items in this Table of Contents:

Introduction by John Langan: Scored, Scoured, Shining: Mike Griffin’s Surreal Inscapes
The Lure of Devouring Light
Dreaming Awake in the Tree of the World
Far From Streets
The Book of Shattered Mornings
Arches and Pillars
Diamond Dust
The Accident of Survival
No Mask to Conceal Her Voice
The Jewel in the Eye
The Need to Desire
The Black Vein Runs Deep

Diamond Dust

“Diamond Dust” was written for The Grimscribe’s Puppets, the Thomas Ligotti tribute anthology edited by Joseph S. Pulver Sr. I wrote and submitted it without being part of the editor’s official invitations list, a “spec” submission with absolutely no promises made. I was a fan of Ligotti’s work and had a specific idea for a take on his “corporate horror.” After I submitted, a long time passed while the editor waited for other submissions, something like a year. Finally I received neither an acceptance nor a rejection, but a note along the lines of, “This is surprisingly good, but needs something extra. If you can breathe more life into it, I might be able to take it.”

I studied my story, tried to view it as objectively as possible, and talked back and forth with Pulver trying to get a sense of what he felt it was lacking. In the time since the initial submission, I had improved and developed as a writer, so I thought I had my own sense of what it needed. The story went through two more significant revisions, and ended up quite different from what I had originally submitted. More visceral, more personal, with a clearer sense of pain and trouble. The changes were enough to get me in the book, which I consider one of the best weird/horror anthologies of the decade, and which won Pulver the Shirley Jackson Award. “Diamond Dust” was well received by readers and reviewers.

I believe developing writers sometimes have “turning point” stories. For me, this was one. Some lessons I took:

1) If the book had come together by the original deadline, had the Table of Contents been set earlier, “Diamond Dust” probably would not have reached its final, improved version and would not have been in the book. Sometimes events outside your control will affect outcomes, sometimes for worse, other times for better. Be prepared either way. In this case, delays that had nothing to do with me offered time for me to “level up” as a writer, and develop a story of which I wouldn’t have been capable at first submission.

2) The period of reflection and self-analysis directed at this draft were a breakthrough for me. Nudges provided by Joe Pulver were instrumental in my discovery of certain aspects lacking in the earlier version of the story. The analysis, that the story needed a more vital and visceral emotional core, that its lifeblood was too thin, has stuck with me. Pulver often repeats the adage “bleed on the page.” This is something I continue to think about, every time I write.

grimscribespuppets

The Accident of Survival

Another previously unpublished story, a kind of psychological or existential mystery. Sometimes the way we perceive the world is fairly clear and unambiguous. Other times, the mind disconnects. We might get into difficulty, traction might slip. We may even lose hold of our last tether. I’m very interested in these mental states, these times of slippage or distortion. The only way we know the world is through our perceptions, which are very prone to error and malfunction.

No Mask to Conceal Her Voice

This was my second story for Joseph S. Pulver Sr., for the special King in Yellow issue of Lovecraft eZine he guest edited. I love the King in Yellow stories of Robert W. Chambers, in particular the druggy, distorted craziness of the characters’ perceptions and psyches, and the sense of longing and loss that prevails. I wanted to update that feeling to the modern day, while retaining the decadence and perversity.

“No Mask to Conceal Her Voice” was strongly influenced by the film Berberian Sound Studio, not so much the story but the setting of the voiceover studio full of weird old half-decayed film-making and recording equipment. Though in the film, the point is only to record voiceover tracks intended to be dubbed over film already shot, in my story this disconnection between voice and image comes as a surprise, and adds to the feeling of wrongness and disintegration. The main character Lily Vaun is one of my favorites among my own creations.

Lovecraft eZine "King in Yellow" special issue, April 2014
Lovecraft eZine “King in Yellow” special issue, April 2014

The Jewel in the Eye

This previously unpublished story was one of the two that I crafted especially for this book. “The Jewel in the Eye” was an idea I had worked on for a long time, but I had struggled to make it come across as something adequately surreal or magical. Even a good idea, if not executed correctly, will fail. By playing up aspects of the book club to make the book more central to the story, and changing interactions between the main couple, the story shifted balance entirely. It finally managed to become what I’d originally intended.

Many of my stories contain elements of mystery, things less than fully explained. Sometimes I find the mysterious aspects work better when they are made clearer, and other times they work best when they are made less definite. One trick with this story was finding he right balance between vagueness and clarity, and allowing the “weird” aspect to hit the right note. The other trick was shifting the power balance in the central relationship.

The Need to Desire

This story appeared briefly in the online incarnation of Phantasmagorium. It’s the shortest piece in the book, and because it can be read in less than ten minutes, it’s something I’ve often selected when giving public readings. While the story employs a fantastic or “impossible” aspect front and center, it is also one of my stories most founded in real life. I used to go with a large group of college friends to Diamond Lake every year, at the end of finals week, just before Winter break. In fact, “The Need to Desire” is a drastic reworking of a much longer “realistic” story written more than twenty-five years ago. This version feels more real to me now.

The Black Vein Runs Deep

“The Black Vein Runs Deep” is the longest thing in the book (almost 40,000 words, the official cut-off where novella becomes novel), but for now I’ll hold back from saying much about it. The story is extremely personal, in feeling if not in detail. It’s a love letter to one of my favorite places. My wife Lena and I have spent a lot of time on Mt. Hood in the vicinity of Government Camp. Kinosha is not exactly Government Camp, but all the slopes and trails, lakes and trees, are just as I encountered them.

I will probably have more to say about these tales, and for some of them already imagine ways of telling connected stories, or visiting different aspects. For now, this is the background to The Lure of Devouring Light, which will be officially released this weekend.

All the Usual Outlets

The first place to get a copy of The Lure of Devouring Light was, of course, direct from the publisher Word Horde. If you ordered there, you got your book a few days early, and also got a free copy of the ebook, and your package probably included WH bookmarks and sticker or other goodies. You can still get a direct copy — go HERE.

It’s nice to support small businesses like Word Horde directly, but of course people want to be able to buy things from all kinds of different sources. For one, in today’s market, it’s pretty difficult to sell a book without making it available on Amazon.com, and we’ve go the book listed there in Paperback and Kindle formats (separate purchases).

Paperback version at Amazon

Kindle version at Amazon

And of course, some people hate Amazon or simply want other options. Here are these options, then!

Powell’s (this is their online store – I’m not sure they’ll be stocking the book in their physical stores)

Book Depository (free shipping worldwide!)

Barnes & Noble (again, online sales link, not sure if their physical stores will stock the book)

IndieBound (not actually selling the book themselves, but linking to indie booksellers where you can get it)

I’ve often seen publishers and writers say, “I don’t mind where you get a copy… if you buy my book at all, you’re making me happy,” and that really is true.

Of course, the BEST of all places to obtain a copy of The Lure of Devouring Light will be at the official release this weekend in San Pedro, California at the H.P. Lovecraft Film Festival at Warner Grand Theater. I will gladly sign your copy, pose for you with pictures, arm wrestle, sing karaoke, take part in beer chugging contests… whatever! I’ll also be reading from the book on Saturday. If you’re there, make sure to say hi.

What’s in the Book? (First Part)

By now I’ve shown the cover of The Lure of Devouring Light, I’ve given the table of contents, bragged about my blurbs from Laird Barron, S.P. Miskowski, Jeffrey Thomas and Michael Cisco, and most recently mentioned the flattering review in Publishers Weekly.

But maybe you’re wondering what these stories are all about. The majority of the book by word count (though not a majority of the stories by number) is previously unpublished. Also, some stories were previously published, but never widely seen. Most of the pages in The Lure of Devouring Light will be unfamiliar, except for those few readers who made a s serious effort to track down all my work along the way.

For this reason, I’d like to go through the table of contents and say something about each story. There will be no spoilers, no excerpts from the text, only a bit about where it came from, and where (if) it was previously published.

Note: As I began working on this post, I quickly realized that it was going to end up too long if I did the entire book all at once. So this will be part one of two, covering the book’s first half, the items in bold in this Table of Contents:

Introduction by John Langan
The Lure of Devouring Light
Dreaming Awake in the Tree of the World
Far From Streets
The Book of Shattered Mornings
Arches and Pillars

Diamond Dust
The Accident of Survival
No Mask to Conceal Her Voice
The Jewel in the Eye
The Need to Desire
The Black Vein Runs Deep

~~~

Introduction by John Langan: Scored, Scoured, Shining: Mike Griffin’s Surreal Inscapes

It’s customary that story collections, especially those from newer writers, include an introduction by a more established writer. The reason for this may be to let an author with greater clout or credibility offer a sort of endorsement, or provide insight in the form of analysis, a sort of map or guide to what should be made of the texts that follow.

I feel very fortunate to have an intro by John Langan. It’s my opinion that John’s last book, The Wide Carnivorous Sky and Other Monstrous Geographies, might have been the best collection of 2013, which is really saying something, considering what else came out that year, including Laird Barron’s The Beautiful Thing That Awaits Us All. John is far from unknown, but I feel most readers have not yet come to adequately appreciate a powerful, talented and impressive writer he is. But they will come to understand, I have no doubt. John is just too damn good a writer.

I won’t spoil anything John says in the intro, but I will say John Langan was my first choice to fill this slot. I’m flattered and delighted to have an introduction for my first book from someone whose work stands at the pinnacle of present day Horror and Weird Fiction.

The Lure of Devouring Light

The title story was my first professional publication. It came out in Apex Magazine, issue 47 in April, 2013, when Lynne Thomas was editor of Apex. Of course, I was very pleased to have a story in such a notably excellent and high-profile magazine. That year, Apex was up for the Hugo Award in the Best Semi-Pro Zine category, so of course I was hoping they would win so I could take all the credit. Alas, Apex came 2nd for that prize.

My story did receive a bit of notice. Many people sent me comments about it, which was my first experience with that. I even heard from a New York agent, expressing admiration for my prose and asking if I had a novel to submit.

One notable thing about “The Lure of Devouring Light” is that this story was originally written on spec for a themed anthology, but ended up being rejected. Of course rejection is never enjoyable, but in this case I was especially disappointed because I had created the story especially for this theme, this book. My anecdote may sound like sour grapes, but its point is not “how dare that editor reject me?” but something else. If the story had been accepted for that anthology, it could not have been accepted by Apex Magazine, where I received my first professional sale, and where the story received more notice than it might have otherwise. I believe that says a little something about the experience of emerging writers. Be patient. If the work is good, a rejection doesn’t matter.

apex47

Dreaming Awake in the Tree of the World

This story may be my favorite among the previously unpublished stories here, not counting the giant novella “The Black Vein Runs Deep,” specially crafted to give extra heft to the end of the collection. Most of my stories are about strange places, and some are inspired by actual locales encountered in the real world. This is one of those.

My wife Lena and I hike a lot, in all kinds of settings within 2-3 hours drive of Portland, where we live. For a while we were very fond of one of the state parks, because in addition to setting in the bend of a beautiful river, and a slope up through the trees a high overlook, it was also very near home, and had good parking and clean bathrooms. In one of our hikes there, early in the Spring after frequent and steady rains had given way to a blast of heat, we encountered trails bogged down with mud, and overgrown with certain plant life that had overreacted to a couple weeks of sunlight. Even some of the elements in the story that may sound as if they could not possibly exist in a public park were in fact found to exist… at least if a little imagination could be used to explain certain things which appeared to lay beyond fenced boundaries.

Far From Streets

For many, “Far From Streets” is the most anticipated inclusion in this book. The novella was previously published in a very small edition, and achieved a fair amount of enthusiastic word of mouth, but because it went out of print before publication, a lot of people who had heard good things about it were unable to find copies.

It came about at NecronomiCon 2013. I was invited by Jordan Krall to write something for Dunhams Manor Press. I believe Jordan had been talked into this by Scott Nicolay, with whom Jordan had driven to Providence from New Jersey.

Because this was to be a stand-alone book, I saw this as an opportunity to write longer than was usually allowed by magazines or anthologies. I decided to rework an old story idea I really loved, but which had stalled, into a length that would allow me to do it justice. This problem had occurred several times in my earlier years as a writer — I would come up with something like a novel-sized idea and try to squeeze it into the 5,000 words usually allowed. So I ended up with folders full of ideas I had tried to write, stories I really wanted to tell, but which I had never been capable of pulling off, given the constraints of short story length. Having permission to write longer gave me the opportunity to revisit and flesh out such a very personal story idea, and work it out in depth. It was a difficult but wonderful and enlightening process.

I believed it was by far the best thing I’d yet written, but I was unsure how people would receive it. The story seemed very strange, and I wondered how it would come across. Because of publishing lead times, nobody ended up reading what I had written for quite a while after I was finished, so I had plenty of time to worry I had made it too strange, too philosophical or too perversely dark.

When the book came out, the reception was strongly and uniformly positive. This was a great experience, hearing from people who had ordered the book, or friends to whom I’d given copies. “Far From Streets” will always be an important milestone in my development, both from my inward perspective as a writer, and in terms of how other people began to recognize me as someone they wanted to read.

"Far From Streets," a standalone novella from Dunhams Manor Press
“Far From Streets,” a standalone novella from Dunhams Manor Press

The Book of Shattered Mornings

Another previously unpublished piece. Some stories which include a lot of “drawn from life” influence bring it all from one place, one experience or one person. Others stitch together varied parts from different times and locations to create a strange brew, unpredictable because of the disparity of the ingredients. This story is of the latter type.

Arches and Pillars

This story’s background is much like “The Lure of Devouring Light” above, written on spec for a themed anthology for which it didn’t make the cut. Disappointment at that “failure” was quickly replaced by elation at the home my story found with the next place I sent it. “Arches and Pillars” was my first acceptance by the highly regarded Horror magazine, Black Static. I appeared in issue 35, July 2013, along with Daniel Mills, who has turned out to be the writer with whom I’ve shared a Table of Contents more often than any other, so far.

“Arches and Pillars” has its origins in a story I wrote in my twenties, when I was trying to write “straight” character-driven fiction, whether you want to call that literary or mainstream or something else. The aspects of the story I wanted to keep, primarily the delicate balancing act between two characters, really came to life once I imagined, “What if something strange…”

blackstatic35

~~~

Stay tuned for the sequel to this post, in which I’ll discuss the six stories in the second half of the book.

Books Splashing Down in the World

More and more people are showing their copies of THE LURE OF DEVOURING LIGHT splashing down!

Kevin Wilson:

Kevin-Wilson_Lure

Sam Cowan:

Sam-Cowan_Lure

Kristi Demeester:

Kristi-Demeester-Lure

John Claude Smith:

John-Claude-Smith-Lure

Thanks, everybody! It’s so great to see the book making its way out into the world. The first step is creating a book, but the greater thing is to get the book into the hands of people who might want to read it. Most gratifying!

T-Minus Ten Days

The countdown begins… ten days until the official release date of THE LURE OF DEVOURING LIGHT. I guess if there’s anything more I need to do in advance of the book actually being out in the world, I’d make it happen soon.

So, what else remains?

This coming week, I’ll post a couple of blog entries, brief notes about each story in the book. Don’t worry, no spoilers are included, so it’s entirely safe to read before the stories.

I also intend to step up my efforts to promote the book. Ross Lockhart of Word Horde is doing an excellent job of spreading the word, getting review copies into the right hands (you saw the review in Publishers Weekly, right?), as well as submitting the collection to the editors of the various “year’s best” books. So on top of Ross’s efforts, I’ll be doing my own outreach.

I’ve been writing and publishing for a while, but this will be the first time I’ve had to make an organized effort to get people to pay attention to a book with my name on the cover.

It’s Beginning to Arrive

People are reporting the arrival of their preordered copies of The Lure of Devouring Light.

Here, Bill Merrill shows Cory the newly-landed book. Cory seems disinterested.

bill-merrill-and-cory-lure

And here, Nick Gucker displays his new copy in an appropriately green natural setting.

nick-gucker-lure

The official release day remains April 30, so I think the only people who are getting their books early are those who preordered directly from Word Horde. If you want to get a piece of the action, go HERE. And if you’ve already received your copy, let’s see it!

The New Math

The New Math – All the Numbers of the bEast (so far…)

Some of you may have noticed, the internet is leaking madness. Today is Pulver day! Here, find a collection of links to all those offerings, in approximately the order I discovered them.

Laird Barron – https://lairdbarron.wordpress.com/2016/04/16/the-numbers-of-the-beast/

Michael Cisco – http://michaelcisco.blogspot.com/2016/04/a-poem-for-joe-pulverday-2016.html

Ross E. Lockhart – http://www.haresrocklots.com/shrubberies-for-joe-pulver/

Allyson Bird – https://www.facebook.com/allyson.bird.52/posts/10207740792174269?pnref=story

Jeffrey Thomas – http://punktalk.punktowner.com/?p=2023

Damien Angelica Walters – http://damienangelicawalters.com/numbers-of-the-beast/

Daniel Mills – http://www.daniel-mills.net/2016/04/numbers-of-beast.html

Justin Steele – http://www.arkhamdigest.com/2016/04/rejoice-in-madness-of-xpulver.html

Mike Davis – https://lovecraftzine.com/2016/04/16/tales-of-the-king-in-yellow/

Selena Chambers – https://selenachambers.com/2016/04/16/numbers-of-the-beast-xchambers/

sj bagley – http://heksenhaus.tumblr.com/post/142893146091/the-number-of-the-beast

Robert Levy – http://therobertlevy.tumblr.com/post/142897964195/the-second-second-comingthe-numbers-of-the-beast

Nadia Bulkin – https://nadiabulkin.wordpress.com/2016/04/16/the-number-of-the-beast-is-999/

Michael Wehunt – https://michaelwehunt.com/2016/04/16/numbers-of-the-beast/

S.P. Miskowski – http://d-o-cat.blogspot.com/2016/04/the-numbers-of-beast.html

Cody Goodfellow – http://perilouspress.com/blog/2016/04/16/the-neighbor-of-the-beast/ OR http://perilouspress.com/blog/

Christopher Slatsky – https://christopherslatsky.com/2016/04/16/numbers-of-the-beast/

Orrin Grey – https://orringrey.com/2016/04/16/numbers-of-the-beast-the-one-we-keep-secret/

Matthew Bartlett – http://www.matthewmbartlett.com/2016/04/xpulver.html

A(W) Baader – https://abaader.wordpress.com/2016/04/16/the-numbers-of-the-beast-or-how-dame-did-me-wrong/

Rebecca J. Allred – https://diagnosisdiabolique.com/2016/04/16/numbers-of-the-beast/

Brian O’Connell – https://conquerorweird.wordpress.com/2016/04/16/number-of-the-beast-2016/

John Claude Smith – http://thewildernesswithinbyjohnclaudesmith.blogspot.com/2016/04/the-numbers-of-beastan-appreciation-of.html?spref=fb

Yves Tourigny – https://www.facebook.com/photo.php?fbid=10154088011461085&set=a.63517091084.89810.743261084&type=3&theater

Ritchie Tenorio – https://www.facebook.com/the.ritchie.tenorio/posts/781225894922

Rodney Turner – https://daringdefenders.wordpress.com/2016/04/16/the-numbers-of-the-beast/

Duane Pesice – https://moderan.wordpress.com/2016/04/17/beastliness/

John Langan – https://johnpaullangan.wordpress.com/2016/04/17/the-numbers-of-the-beast-gripped/

My own entry into the madness sweepstakes – https://griffinwords.com/2016/04/15/numbers-of-the-beast/

(…to be continually updated as more appear.)

pulver-wtm

Numbers of the bEast

Numbers of the bEast; or, the bEast Who Came to Portland (for Joe Pulver)

In the old days, we met people in person, and that was the way we became friends. Even people who lived somewhere other than where we lived ourselves, those people remained strangers until we met. Then once some kind of relationship had been formed via face-to-face interaction, we might stay in touch via phone calls, or the occasional handwritten letter.

But these are no longer the old days. Now we meet a million people online, and the few that become true friends, we eventually end up meeting in person.

That’s how it was with Joe Pulver and me. We’d become internet buddies after getting to know each other for a year or two on Facebook. We compared notes on favorite ECM records, shared ranked lists of the all-time best Brian Eno drones, and endlessly debated the best songs by our mutual favorite band, Duran Duran. I always ended up winning our arguments and debates, as I’m sure Joe would agree, but despite this, Joe was always gracious, fun and grouchily good-natured. Like a cool, wild uncle or zany big brother.

And for a long time, I thought it would be fun to meet Joe in person, though it didn’t seem too likely to happen. Joe was American, but he resided in Berlin, which from what I’m able to tell on Wikipedia is a little country near Germany. I was living practically on the opposite side of the world, in Portland, Oregon, on the West Coast of the US. But that was OK. We could just remain internet friends.

Then out of nowhere, I received a bizarre late-night visit. A yellow-robed figure knocking on my door. I figured this must be somebody playing a weird trick. Though I’d always had lots of nice, normal friends earlier in my life, once I became involved in writing weird stuff, suddenly everybody I knew and hung around with was crazy. When I answered the door, it must’ve been after midnight. All the street lamps outside had gone dark.

The robed figure spoke from behind what appeared to be a mask, without identifying himself. Or maybe it was herself.

“Joe Pulver is going to be coming to Portland,” the voice said, “to be a guest at the H.P. Lovecraft Film Festival. It’s a convention, you know, a bunch of people dress up, drink too much. Maybe you’ve heard of this kind of thing? We need you to let Pulver stay here, at your home. Show him around Portland. Make sure he gets to the panels on time.”

“Really?” I thought about it only a moment, my puzzlement turning to interest. This yellow-robed figure had to be one of the organizers of the convention. Maybe they’d scheduled more guests than they had hotel rooms to go around. That made sense. This was their way of trying to get places for guests to stay, having this weirdo in a yellow robe show up at the home of somebody the guest knew on Facebook, and suggest the idea like it would be fun, letting the guest stay in the person’s home.

“Sure, yeah,” I said. “We could do that. Joe can stay here. We’ll take care of him.”

Lena, my wife, knew Joe too, and liked him a lot. She wouldn’t mind.

“Really?” The masked figure seemed at first to be mocking my own initial response.

Then I realized he — or in fact, I kept thinking, maybe it was she, because how many dudes really want to go around town running errands, dressed all in matching yellow? — anyway, maybe he or she was just surprised at how readily I’d agreed. This should have tipped me off that things wouldn’t be so simple as I’d guessed. Yet still I entertained the idea this would be fun, not a problem.

“Joe Pulver has…” The figure leaned close, apparently trying to intone ominously. “…most unique… requirements.”

Blithely I blundered onward. “It’s no problem, we’ll take care of him. Make sure he’s comfortable and fed, at least.”

“Fed…” This person was difficult to read, concealed as they were by mask and hood and many-layered cloak. Did I mention it was yellow? It was really quite the elaborate get-up for a stunt like this, trying to arm-twist an invitation for a con guest. But from what I could read of body language, I guessed this yellow person almost turned and ran off without another word.

I realize now they felt guilty, sticking me with such a terrible burden, without at least some hint of what lay in store, for me and for Lena. For our household. For our very sanity.

“Unique requirements,” the figure enunciated. “Very particular. You might say extraordinary. You should be prepared–”

“I think I know Joe Pulver pretty well,” I interrupted. Have I mentioned my blithe, blundering dismissive overconfidence? Ah, such ignorance. The sweet bliss of unknowing. “Joe and I Skyped for nine hours, just this week. It’s weird, though, he never mentioned anything about this.”

The masked figure made a dismissive farting noise with his or her lips, or what I assume must have been lips. “You know nothing, Mike Griffin. Everyone who Skypes with Joe Pulver always Skypes for nine hours. Always, everyone. He Skypes in nine hours blocks, four times a day. I know what you’re about to say, that’s mathematically impossible. Four Skype calls, nine hours long each one, that doesn’t fit into a twenty-four hour day. That’s what you might believe. For most people that would be true. Pulver is different. And if you understood him one-millionth as well as you like to believe, you would at least know that.”

This response knocked my blithe, blundering overconfidence down by half. Still, this person seemed bizarre. I was more worried about this odd character occupying my doorstep at the Witching Hour than I worried about Pulver himself. That, of course, would change.

“Very well.” The robed ambassador of night steepled his or her hands, gloved yellow of course. “Most of his needs, he will tell you himself when he arrives. But for that first night, you should have ready at minimum, the following.” He produced from within his billowing wizard’s sleeve a list scrawled on a sheet of legal paper. Yellow, of course.

I scanned the listed requirements as well as I was able by the squalid illumination of our flickering porch light, slowly dying.

“Eight gallons of brewed green tea — NO SUGAR! Sixty-four ounces of Cajun trail mix. Three dozen eggs. Five pounds of bacon.” I looked up, about to tell my visitor that while this seemed like lot of stuff for a first night snack, we could certainly accommodate such a list.

But when I looked up, my visitor had vanished!

The remainder of the list, for it contained far more items in full than what I listed above, I saved for the following day. With the good humor of blithe, blundering overconfidence, Lena and I shopped, enjoying the process of buying unusual foods and drinks we might not normally purchase for ourselves.

“What kind of person eats so much bacon?” I asked.

“I can’t wait to meet Joe!” Lena said, her own blithe overconfidence nearly identical to my own, though slightly less blundering. “But eight gallons of sugar-less green tea… Why don’t I just brew him up some real tea?”

But she knew the answer. The list… was the list.

At the appointed date and time, we showed up at Portland International Airport, and waited outside the gate for Joe to arrive from his flight. By then, I had forgotten my strange night visitor. All that occupied my mind was a pleasant anticipation of meeting an internet pal for the first time. Within my wildest fancy, there existed no hint at all of the manifold terrors yet in store for us.

Joe came drifting past the security gate, in sneakers and shorts and a tye-die t-shirt. When he saw me and Lena waiting, he seemed surprised, but delighted. He claimed he’d been led to believe someone from the obscure and secretive HPLFF organizing committee was supposed to pick him up. “I heard from this strange figure in yellow,” Joe said, and shivered. “A few nights ago, we Skyped. Nine hours! Anyway, it’s so great to finally meet you guys.”

We exchanged pleasantries and hugs, happily chatted about Joe’s flight. All of us enthused about our anticipation of a fun three-day convention. We piled Joe’s luggage into the Griffinmobile, and as I drove the three of us out into the night, Lena mentioned we’d obtained all the items he needed. Everything was ready, at home.

“How did you know about all that?” Joe asked, and clarified. “My special list of requests.”

“That strange character,” I said, finally recalling. That night meeting now came back to me. How I had tried to forget, to wipe it from my mind! I wanted to ask Joe what he thought about the person in yellow. But before I could speak, Joe made his first declaration.

“Pickles,” Joe said. “Were those on the list? Pickles?”

Lena and I both stalled, waiting for the other to answer. We had both memorized the list, had shopped carefully to obtain every bizarre item, to be exact in the quantities procured, yet neither of could remember pickles being on the list.

“There are… no pickles,” I gasped.

“No pickles!” Lena cried.

A grim and horrible expression overtook the face of the Author and Editor, Joe Pulver. He trembled, seeming to enlarge and to redden, expanding with the growth of all his hunger and desire, all his unmet craving and unsatisfied need, which had accumulated too long within him and sought satisfaction or release!

I thought, Great, this must be what the yellow weirdo was talking about. Joe’s going to rage now, because there are no pickles.

Joe’s face remained red, and his eyes bulged, his rage seeming imminent, ready to erupt. But what issued forth was not complaint, not recrimination, not foul epithets. Just a single word.

“Bubbies!” he cried.

This desperate word contained not a trace of rage, not disappointment, and did not even seem to derive precisely from hunger. His longing was plain. “Can’t get real American food over there. All I think about when I come here is this stuff, my list. I have to have it, or I’ll go mad. And number one, that’s Bubbie’s beautiful, wonderful dills. So garlicky. So tangy. So delicious.”

Now I could see his emotional outburst was not that of a demanding guest, not some literary prima donna, but merely a man driven mad by cravings for such exquisite delicacies, now lost to him in his adopted homeland, as garlic dill pickles, Cajun trail mix, real Italian sausage, hot dogs, and a giant simmering pot of my notorious Death Chili.

Yet there remained the matter of Bubbie’s pickles. This seemed a dilemma, a conundrum. As so often happened, Lena explained things simply, and what seemed to my mind an overcomplicated, insurmountably vexing problem with an obscure, ineffable and unreachable solution, was in fact simple. To sate this greatest of Joe Pulver’s overwhelming needs would be, in fact, as simple as stopping at Fred Meyer One Stop Shopping Center on our way home.

Oh, if it had always remained so simple!

“Just one jar of Bubbie’s!” Joe wailed as we stood looking through the misted glass of the refrigerator case. He trembled with need, with anticipation. I was reminded of Gimli, asking the beautiful Elven queen Galadriel for a single strand of her golden hair.

This man-poet Pulver, this bEast from the East, asked me for one jar of Bubbie’s.

I gave him three.

At home, we witnessed the emergence of his true, childlike bliss. Our guest clutched the enormous plastic container of Cajun trail mix, cradled it like a newborn baby. The first gallon of green tea may have been sugar-less, but Joe clutched it sweetly as a lover, caressing the plastic bottle against his skin with an almost perverse fondness. He held open the door to our refrigerator and marveling, he counted the eggs, numbered the packages of bacon, inventoried consumables. Such bounty. Such pleasure. “One… three… six… nine.”

Lena and I exchanged a look. Relieved, even happy. This wasn’t bad, wasn’t bad at all. Our guest was pleased. It was just Joe, after all. Our friend. Nothing bad was going to happen.

That first night, we planned to rest. In the morning begin our convention fun.

And it was fun, what I remember of it now. Three days passed in a wild blur, half our time spent in the brewpub across the street. The bEast Joe Pulver was in his element, standing outside the theater, smoking cigarettes and holding court. He told stories of earlier conventions, times when Lena and I had not been present. At this very theater, meeting Laird Barron, Michael Shea and Marc Laidlaw. Times like this, Joe might satisfy himself for hours with only cigarettes, and stories with friends.

But with the passage of time, inevitably there arose again that inexplicable, animal need. I admit, it was a need to which I contributed by feeding. Hell, I don’t know, I must have even encouraged his sick madness.

Yes, as I write this, I remember what I said. I cannot deny my own words. “Whatever you want, just ask. You’re our guest.”

So Joe asked. He was not at all greedy, the foods were not fancy or expensive. His requests were very specific, frequently disgusting, in measured quantities, designed to fill some specific, occult need. Ingredients in a potion of his own design.

“Three slices of that sausage pizza.”

“Madness!” I cried

“When we get home, I want two more liters of your damn Death Chili, SuperSTAR.” Joe had taken to calling me SuperSTAR, after seeing my spangled suit, and watching home video of my ice skating routine.

“You’ll spoil your tummy!” Lena warned.

“And hot saucesssssss,” the bEast hissed. “Forty-two kinds to try!”

“Now that sounds good,” I agreed.

“Nine habanero hot wings! Nine in cheese sauce! Nine more, sweet Kentucky BBQ style!”

“Twenty-seven wings,” I gasped. But I could not escape, not since I had made my initial pact with that that weird fucker in the yellow robe, hood and mask. Really what kind of person showed up outside somebody’s house in the middle of the night, dressed like that?

After the convention’s end, because Joe’s return flight to Berlin didn’t depart for several more days, Lena and I took him the hundred miles west to visit Lincoln City, on the Oregon Coast. If I had been deceived by any foolish notion or ridiculous fanciful wish that this yellow madness might cease at the convention’s end, that delusion was soon utterly and jarringly shattered!

We sat in the Kyllo’s bar, overlooking the Pacific. Our waiter arrived.

We let Joe order. We gave ourselves over to the mercy of his desires.

“Six oyster shooters, two for each of us,” he said.

That was only to start.

“Calimari. How many do you suppose there are on a plate? I bet there are ninety-nine.”

And more.

“Shrimp salads all around, with Thousand Island.”

This was not yet the end.

“Three cups of clam chowder.”

Still not finished! Oh, fie!

“Crab cakes. How many of them come on a plate, per order?”

And here, because they had no plastic bottles of Splenda green tea, it was real Earl Gray, no sugar. Cup after cup, beyond number. That is, I did not count them. I’m sure Joe did.

And the last thing, the very last final object he requested, was a quantity of only one. A single object, and yet, piled on at the end of a week of such overwhelming excess for us all, only the fact that we were, all of us, already provably insane prevented us from being driven insane right then, that moment. Actually, I’m realizing as I write this that being insane in advance as a way of preventing yourself being driven insane later doesn’t really make a lot of sense. Anyway…

Yes, the last thing. A solitary excess. One gruesome extravagance, piled on top of too much everything. Oh, my aching belly.

“Okay, then,” Joe said, “one slice of your key lime pie. Three spoons.”

Insanity! Lena and I teetered on the edge of irrevocable destruction. A black abyss…

It was terrible, wonderful. What might have outwardly resembled gluttony was not that, but a finer thing. It was an expatriate’s love for familiar American foods inaccessible in his new home. Nostalgia taking the form of food and drink. Not a desire for fine, expensive things, not delicacies, but a need to revisit the comforts of memory.

I shall never forget bEast Pulver’s many requirements, and the gruesome smorgasbord we visited alongside him. The variety of treats, which I had been compelled by otherworldly forces not only to procure, but to share. The set quantities, specific measures, a convoluted menu suitable for a madman! This is how we came to know… the numbers of the bEast.

(Bowie – Blackstar ; Michael Nyman – Decay Music ; The Necks – Aether ; David Sylvian – Sleepwalkers)

LC-mike-and-joe

Lure: A Resonant Collection

Word continues to spread in advance of the release of THE LURE OF DEVOURING LIGHT.

“Michael Griffin’s debut is a resonant collection of seething, quiet horror, where the strange, in many disturbing guises, inhabits the natural features of the everyday. Characters matter. Relationships matter. Desire is destructive. Between theses covers, Griffin’s fascinating, poetic examinations are not afraid to open old wounds, or create new ones, nor are they afraid to let their nightmares fully blossom. This is mature work by a remarkable writer.”
— Joseph S. Pulver Sr., Author of The Orphan Palace and Shirley Jackson Award winning Editor of The Grimscribe’s Puppets

My thanks to Joe Pulver for his kind words!

If you’d like to preorder a copy, you can experience The Lure of Devouring Light for yourself.

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A Book is More Than Just Words

Today I received early copies of my collection THE LURE OF DEVOURING LIGHT, coming from Word Horde later this month. I had seen the cover layout images, so of course I had a good idea what to expect, but I was still very pleasantly surprised with how great the books ended up looking in print.

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I want to thanks Word Horde Editor & Publisher Ross E. Lockhart, and Scott R Jones who did the layout, for their excellent work. In addition, I’d like to direct attention toward the artist Jarek Kubicki, whose wonderful imagery seems such a perfect match with the feel of my stories. You can see more of his work on his Facebook art page HERE.

After having assembled a batch of stories, made a connection with a publisher anyone would be thrilled to work with, and found an image that fits so well, it’s my great pleasure and relief to hold in my hands a book that fully expresses all I had hoped to accomplish with my first collection.

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If I looked less than fully enthused here, it’s because I’m distracted by passers-by in the post office, where I took this photo immediately after opening the box, looking at me like only an insane person would take selfies holding up a book. Well, they didn’t know the whole story. It’s my first real book, and I love it.