Looking Back on 2013

2013 is over. It was a very good year.

I read a lot of great books, and reviewed many of them.

I wrote a lot, and wrote much better than ever before.

I published more than I expected, and began to encounter less resistance to my work. I received my first invitations to submit to projects, experience my first “pro” publication, and my first print magazine publication, and overall saw my work appear in higher profile venues than ever before.

I attended the H.P. Lovecraft Film Festival in Portland in May, and NecronomiCon in Providence in August, both accompanied by my wife Lena. At both events we met lots of great people, including writers, editors, readers, publishers, artists, filmmakers, musicians and assorted other cool folk. At HPLFF, I did my first public reading, and at NecronomiCon, I was surprised to do my second.

2013 was a much better year by every measure than 2012. I will be very happy if 2014 continues the trend.

2013 Apex Magazine “Story of the Year” Voting

My story “The Lure of Devouring Light” appeared in Apex Magazine in April 2013, so it’s among those you can vote for in Apex’s “2013 Story of the Year” poll if you’re so inclined. It just takes a click or two!

http://www.apexbookcompany.com/2014/01/apex-magazine-2013-story-of-the-year-readers-poll/

There’s a lot of great stuff to read for free on Apex’s web site. If you’re interested in my story but haven’t see it before, here’s a direct link:

The Lure of Devouring Light

10 Notable Reads of 2013

2013 was an exceptional year for weird and horror fiction, especially single author collections. I believe I discovered more interesting new writers than in any past year I can remember. Here are ten books I found especially noteworthy.

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The Beautiful Thing That Awaits Us All by Laird Barron

For the past few years, I’ve considered Laird Barron’s the most compelling work in the loosely affiliated genres of horror, the weird, and dark fantasy. Again and again I refer back to his earlier collections The Imago Sequence and Occultation, both full of artful yet readable stories told in powerful, striking language, each revealing a dark and chilling cosmic menace underlying our familiar reality. Barron’s latest collection explores similar territory — some stories even extend histories or settings established in earlier tales — and the best pieces, such as “Blackwood’s Baby,” rank at the very top of his oeuvre. This is the only book I read twice during 2013.

Langan

The Wide, Carnivorous Sky by John Langan

I certainly knew Langan’s work before this, from many anthologies and “year’s best” lists, but this new collection demonstrates Langan deserves to be considered at the highest level of modern horror writers. “Technicolor” is the narrative of a teacher telling his class about Poe’s “The Masque of the Red Death,” both clever and gripping. The collection ends with a new novella “Mother of Stone,” less experimental than some of Langan’s ‘other work here (though it’s told in second person perspective, which is rare). It’s one of the few truly outstanding works of fiction I read this year, worthy of its length, and truly dreadful and frightening. With such a dexterous and confident collection, Langan rises in my estimation to rank among the most compelling writers now working.

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At Fear’s Altar by Richard Gavin

Similar to what I just said of Langan, Gavin’s latest book boosts him up several notches toward the top of my list of most interesting writers. I gave At Fear’s Altar a detailed review previously, so here I’ll just say this is one of the very best books of the year. If you’re not reading Richard Gavin, you should be, and this would be a great place to start.

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The Grimscribe’s Puppets edited by Joseph S. Pulver Sr.

I should disclaim that a story of my own appears in this book. I include it anyway, because I truly believe it to be one of the books of the year, even disregarding my own work. This anthology is a tribute to Thomas Ligotti, one of the great and influential names in dark fiction in recent decades. I found too many great stories here to list them all… a mix of work by the obvious names like Langan, Gavin, Thomas and Tremblay, along with others less established such as Livia Llewellyn, Nicole Cushing and Scott Nicolay. Even such a list omits stories of five-star quality. I would prize this book, and rank it as the year’s best anthology, even if my story didn’t appear within.

Jagannath

Jagannath by Karin Tidbeck

This is the first English language collection by a wonderful Swedish writer of weird fantasy. The stories shift from mostly naturalistic realism with a hint of the strange, gradually becoming stranger and more fantastic, until by the end Tidbeck is exploring a truly bizarre world, at once whimsical and frightening. The best works of fiction stick in the mind well after the reader has moved onto other things, and Jagannath wedged itself in my brain as stubbornly as anything I’ve read in recent years. Impressive, inspiring and strongly recommended.

Astoria Cover

Astoria by S.P. Miskowski

I wrote a full review here. Astoria is another angle on Miskowski’s Skillute cycle, this novella following Ethel Sanders, one of the primary characters in Knock Knock, the first novel to appear in this cycle. This is my favorite thing yet from Miskowski, a writer who certainly deserves watching.

Every House is Haunted

Every House is Haunted by Ian Rogers

Full review here. Rogers’s first collection shows great improvement over the years covered. The later stories, such as “The Secret Door,” are very impressive. I look forward with interest to his future efforts.

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Hair Side, Flesh Side by Helen Marshall

Many of the stories in Hair Side, Flesh Side, the debut collection of Canadian weird fantasist Helen Marshall, focus on books, libraries and manuscripts. Hair Side, Flesh Side presents a nice mix of straightforward emotions in realistic settings, balanced against off-kilter fantastic elements or surreal impossibilities. I love that these stories show great respect and affection for the world of literature, of books and stories, authors and libraries.

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Chick Bassist by Ross E. Lockhart

This was the “fun, weird read” of the year for me. Full review here. It’s a book full of the dysfunction and crazy ego and hedonism of rock and roll. I hope Ross Lockhart gives us more along these lines.

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Fungi edited by Orrin Gray & Silvia Garcia-Moreno

This anthology included especially strong stories by Barron, Langan and E. Catherine Tobler, as well as other good stuff mentioned in my full review here. There was a bit of unevenness in some of the stories, but if like me you believe a collection or anthology should be judged by its best stories rather than by its weakest, you’ll find Fungi worth checking out.

***

That’s my top ten for 2013.

I’m also tempted to include Doctor Sleep by Stephen King, which was a worthwhile read (more fantasy than horror, despite being a sequel to one of the great modern horror novels, The Shining), but I figure if King’s work is something you might enjoy, you already know about it. I’d rather highlight a few books some readers might have overlooked.

My list does not include several books I have reason to believe I would enjoy, but haven’t yet had a chance to read, or at least finish. Several that come to mind include Holes for Faces by Ramsay Campbell, Member by Michael Cisco, Tales of Jack the Ripper by Ross Lockhart, Rumbullion by Molly Tanzer, Shadows Edge edited by Simon Strantzas, Crandolin by Anna Tambour, North American Lake Monsters by Nathan Ballingrud, Staring into the Abyss by Richard Thomas, and Remember Why You Fear Me by Robert Shearman. I may have forgotten to list other notable releases of 2013, in which case I apologize. My list is not meant to be exhaustive, but merely to highlight certain items I think readers may want to consider.

Before the Year Ends

After a nice long stretch of updates, this blog went silent again. I think I’ve identified what causes these occasional dark periods here — it’s not that I have nothing to say, but that I’m pressuring myself to review a long list of books I’ve read. I don’t always have time to write reviews, so I hold off on blogging at all until I’ve had a chance to catch up.

Having recognized this problem before, I’ve tried a few tricks like writing very short reviews, or throwing several mini-reviews into a single blog post.

I’ve decided to let myself off the hook on book reviewing. I still want to recommend books that seem worthwhile, but I don’t necessarily need to review every book I read. When something strikes me as especially worthwhile or notable, I’ll mention it. I may even be inspired to write something that could be called a “review.” I just need to relinquish this self-imposed expectation that if I read a book, I’ll take notes, formulate an opinion, and express it in a formal or semi-formal review.

Having said that, I’m currently assembling a list of the best and most notable 2013 books. This has been a great year for dark, weird and horror fiction. Some of this top 10 I’ve already reviewed, and I’ll link to those reviews. Those I haven’t already reviewed in depth, I may write about in greater detail after posting my list of 10. Others I may not. I’ll post that list within the next couple days.

Recent Reads Quickly Mentioned

I’ve read so many great books lately, I’ve decided to quickly mention some of the most notable. I’ll probably offer expanded opinions of at least some of these soon.

At Fear’s Altar by Richard Gavin
At Fear’s Altar is the first Richard Gavin collection I’ve read, though I’d seen a few stories in anthologies. This impressed me very much, and raised Gavin in my estimation to among the handful of best writers of weird/horror. My full review is HERE.

Astoria by S.P. Miskowski
Astoria is a novella linked to S.P. Miskowski’s Shirley Jackson award nominated novel, Knock Knock. There’s also Delphine Dodd, another linked novella I haven’t read yet, but will soon, Astoria is a good one! Review HERE.

Joyland by Stephen King
Though Stephen King of course needs no introduction, this recent book was one a lot of his loyal readers might have missed. It’s the nostalgic story of an older man looking back on a summer he spent during college working at a low-budget amusement park in North Carolina. It’s not quite a horror story, though it has creepy moments like most Stephen King books. I enjoyed Joyland, though it’s not a major King work.

I’ll tackle the backlog a few at a time… more installments coming.

Reminder About “Her Very Shape and the Way She Says My Words”

I mentioned once before, but failed to remind again until now, my story “Her Very Shape and the Way She Says My Words” is featured in the September 2013 issue, number 24, of newmyths.com. It’s a very short, enigmatic little story.

Click on the “Issue 24” link at the top (though if you see this later, it may be located under “Past Issues”) and scroll down for the Table of Contents.

Here’s the site link again: newmyths.com

Lately Published Versus Lately Working

It’s tempting to observe a writer’s work as it’s published and think that’s what they’ve been working on lately. Very often, I’ve learned, the lag between finishing a story and seeing it published can be quite long, even if the story is accepted right away by the first place it’s submitted. For any story that goes through a cycle of rejection and resubmission, this is even more so.

Readers observing a writer’s recently-published work might think they’ve just finished those stories, and maybe started a new one as well. More likely those stories were finished six or twelve or eighteen months ago. The writer probably has a whole bundle of new stuff in the pipeline.

So, what have I been working on that nobody’s seen yet?

May. I finished a longer story with significant self-reflexive or metafictional elements. It’s about a guy who owns an ambient music record label, and receives a strange, unmarked demo in the mail. This was written with an anthology in mind, ended up being rejected, so I’m looking for another place for it.

June. I started a weird little story about a husband who used to perform with the city’s orchestra, but had to quit due to vague mental problems and now stays shut in his room, and a wife whose reading group encourages her to give her husband a very unusual “gift” to cheer him up, or maybe to keep him from bothering her, so she’ll be free to go do other hings. By the end of the story I was unsatisfied with how I’d rendered this unusual arrangement. It came across like a crude male fantasy, almost exactly opposite what I’d intended. I decided to set the story aside and take another crack at it later.

July. I completed something for a themed anthology, a riff or loose sequel to a story by a well-known weird fiction writer. The editor seemed to like my story, and sent notes suggesting improvements. I need to finish those revisions and resubmit. My fingers are already crossed, as this anthology should be a great one.

Also in July, I started planning a novel, actually a series, though for now I’m mostly focusing on the first. The premise will have weird or supernatural elements, though it will mostly come across like a straightforward crime/thriller story, especially at first. I worked on characters and setting, a story arc, and ideas for where subsequent novels might go. Lots of Post-it notes stuck to a board, moved around, changed and rearranged.

August. I did a bit more work on the unfinished weird married couple story. Strengthened the wife’s character, made her reading group friends more interesting. I also tried to develop ideas to solve this story’s fundamental problem, and got part of the way there, but set it aside again.

Also in August, a busy month, I spent a few weeks writing “No Mask to Conceal Her Voice,” a story inspired by the work of Robert Chambers, for a special KIY-themed issue of Lovecraft eZine edited by Joseph S. Pulver Sr. I’d hoped to have this story finished before Lena and I went to Providence for the NecronomiCon, but didn’t quite reach the finish line. The convention was wonderful fun. Between preparation, travel, the con itself, return travel, and time spent recovering and returning to normal, it consumed well over a week.

As soon as I returned, I spent an intense week or so (including a full weekend shut in a room from morning to night) finishing up “No Mask…” The good news is, the story was immediately accepted, and should appear in a few months.

While at NecronomiCon, I received an invitation to submit to a small press. I said I’d like to expand one of my earlier, abandoned stories into a novella. This project has been my sole focus for the past six weeks or so. It’s tempting to think of anything less than novel length as “just a story,” but the fact is, a novella of almost 20,000 words is very different from a short story. It simply takes more time to write something that long. I also believe crafting a story on top of an existing framework takes longer than creating something from scratch. There’s something especially rewarding, though, about taking an idea I wanted to explore but could never quite figure out how to develop, and finding new ways to give it life. It’s very nearly finished. I’m very excited, and anxious to see if the editor likes it enough to publish.

I have several other things lined up to work on next. Maybe when I make some progress on those, I’ll post another “works in progress” installment like this one.

The Book of Apex, Volume 4

Apex Magazine (where my story “The Lure of Devouring Light” appeared in issue 47, April 2013) occasionally prints a book collecting reprints of all the magazine’s stories in. Each is called “The Book of Apex,” with a number.

The fourth installment is coming soon, and they just previewed the cover. I think it looks great.

Pageflex Persona [document: PRS0000040_00012]

I should point out, my story is NOT appearing in this book, but will actually be in The Book of Apex #5 presumably some time in 2014. I’m just sharing this because I love the cover, and it reminded me of this upcoming reprint of one of my favorites among my own stories.

I think everyone should support Apex Magazine, either by subscribing or by purchasing these books. It’s one of the most interesting short fiction magazines out there, working across horror, fantasy and even sometimes science fiction boundaries.

Writing Longer – Novellas and Novelettes

Since I started writing fiction again late in 2009, I’ve mostly concentrated on writing shorter stories, in the 3,000 to 5,000 word range. My fellow writers will have a sense of what kind of length this indicates. For readers, figure 10-15 paperback book pages.

The main reason I’ve been concentrating on this length is that it seems to be what most editors are looking for, at least from newer/emerging writers. I might have preferred to write something, say, 8,000 or 10,000 or even 12,000 words long — and some of my story ideas might have been best expressed in such a length — but there are very few places that will accept such long stories. When you’ve just started trying to get published, I believe it increases your chances if you write stories that can be submitted to many different places.

Most short fiction venues seem to prefer stories in that 4,000 to 5,000 word sweet spot. Some will express this outright. Others will say they accept work up to maybe 8,000, but everything they actually publish is much shorter.

Say you’re a science fiction writer, and you write a 14,000 novelette. Once you’ve sent it to Asimov’s, Analog, and Fantasy and Science Fiction (which mostly take stories from established big-name pros, and are tough to break into otherwise), there are only 2 or 3 more places that you can send something that long. So once you’ve sent this novelette around to 5-6 places, your story’s at a dead end.

I felt it was a bad risk to spend months writing something so long, only a few places would consider it. Write a story of 4,500 words, though, and you have dozens of places you could send it.

Lately I’ve been getting more of my work published. That’s wonderful, and not only does it encourage me to keep going. It also makes me more confident that if I try something, it will probably work. Better yet, I’ve received a handful of invitations to write specifically for a given magazine or anthology or small press. If I’m planning to write a story for an invite, I can ask the editor what kind of length is OK. So far it seems as if 5,000 to 8,000 words is no problem.

I’ve even had a couple of editors tell me, “This story would work better if you fleshed it out.” In other words, time to write longer. This turns out to be something I enjoy. My last three completed stories average over 7,000 words, and I’m nearing completion on a novella in the 18k to 20k range.

I now realize how much I was constraining myself in order to fit what I thought the market wanted. I still think it was a good idea to start out this way, but it’s a relief to be able to stretch out a bit.

Updated Stories Page

I have updated the STORIES page on this blog to reflect the latest two acceptances, one of which has already appeared.

Those two additions are:

“Her Very Shape and the Way She Says My Words” published 9/2013

“No Mask to Conceal Her Voice” accepted 9/2013

Also, a sort of sub-page to that STORIES page is the version of my story “The Need to Desire” which is free to read here. I changed the formatting to make it legible with this new blog template. If you tried to check it out previously and couldn’t read it because the text was black-on-black (like my soul!) give it another look.