Outlining Backward

I distrust most writing advice I see online, but yesterday’s article by Charlie Jane Anders on io9.com includes some advice I agree with.

This article, “One Weird Trick For Cutting Down Your Novel,” is mostly about using outlining to see where your story is structurally weak, and where you might cut content or remove entire scenes, if they’re redundant.

Many writers don’t believe in outlining in advance. They feel doing so robs the actual writing process of the “magic of creation,” which they consider the fun part. These writers argue that once the outline’s written, they already know what’s going to happen, so they have a hard time getting motivated to actually write the story out.

I believe in outlining. I think it’s important that a story have a basic structure, and that every scene contribute something. Writers who go by the seat of their pants often end up including scenes that are digressive or redundant, just because they’re having fun following their muse through the story.

If you can’t outline in advance, I get it. What you might do instead, though, is what I call the reverse outline.

If a standard outline is an advance plan for a story, a reverse outline works in reverse. It looks at a story that has already been fully written, and outlines the structure, and the function of each scene. Reverse outlining often reveals that a given scene ended up not really serving any purpose, or did something that is repeated elsewhere.

It might also reveal that the story’s shape is broken. A story might have intersperse scenes that move the story forward with scenes that stop and think, or establish atmosphere or character, or look backward. An outline might reveal you’ve created a big lull in the middle of your story, maybe several scenes in a row where nothing much happens.

It’s a way of seeing your entire story at a glance. Zoom out, like a painter standing back across the room to take in the whole picture at once. This is especially useful if your story is too long, and you’re looking for places to cut, but even if it’s not about cutting, the reverse outline can help you find weak spots that need shoring-up.

The Children of Old Leech Ready to Order

The Children of Old Leech is supposed to be released July 15, but has begun showing up as “in stock” in various online bookstores.

BOOK DEPOSITORY:
http://www.bookdepository.com/Children-Old-Leech/9781939905024

BARNES AND NOBLE:
http://www.barnesandnoble.com/w/the-children-of-old-leech-ross-e-lockhart/1119727147

POWELLS BOOKS:
http://www.powells.com/biblio/61-9781939905024-0

AMAZON:

All four of the above indicate in one way or another that they have copies of the book to sell, though the only one that says “ships within 24 hours” is Barnes and Noble.

I know a lot of people are looking forward to getting their hands on this book, and with good reason. I just finished reading it myself, and it’s absolutely packed with excellent and varied stories by many of today’s best weird & horror fiction writers. My own story “Firedancing” appears in the book. I feel absolutely thrilled and proud to be included in such company, and also to be able to pay tribute to Laird Barron, for whom I have the greatest respect.

ChildrenOfOldLeech

Editors Justin Steele and Ross E. Lockhart have put together a really noteworthy book, one that I feel is certain to get a lot of attention in coming years.

Surreal Worlds Table of Contents

Here’s the tentative table of contents for that anthology I recently mentioned, Surreal Worlds, edited by Vincenzo Bilof.

Steve Rasnic Tem “Paula Breaks”

John Palisano “The BiPolar Express”

Gabino Iglesias “aaaaaaaaaaaaaaaaaaaaaaa”

Robin Wyatt Dunn “A Shadow of a Princess’s Dream”

Bruce Boston “Surreal Chess”

Rhys Hughes “Bones of Jones”

R.A. Harris “The Noise that Stains”

Seb Doubinsky “Goodbye Babylon”

Thomas Logan “The Continued Instances of George Marthis within the Singularity, wherein the Instance Knows No Rules (George is Old When Our Story Starts)”

Daniel Vlasaty “Everything is Colors All of Them”

Michael Griffin “Jewels and False Memories: The Origins of a Lunatic”

Max Booth III “One Day I’ll Quit this Job and Rule the World”

Dustin Reade “House Party”

Adrian Ludens “I Can Do What I Need to in the Dark”

Andrew Wayne Adams “Light Amplification Stimulated Emission of Radiation”

Wolv-riey “The End of the World Pie”

Allen Griffin “I, Autocorrect”

Tom Bradley “Mr. Fuck You Okay?”

Chantal Noordeloos “Labels”

Don Webb “The Last God”

Bob Ritchie “The Mahler Stream”

Eli Wilde “Snowflakes Falling, Pages Turning”

Antonio Magogoli “The Inmost Plague Bell Swims”

Chris Kelso “The Statement of Tom Tryout”

Carter Rydr “Pain Pig’s Pilgrimage”

Here’s that cover again:
SurrealWorlds

Surreal Worlds Anthology

I’ve just received news that I’ll have a story in an upcoming anthology called Surreal Worlds, which will be published by Bizarro Pulp Press. I don’t yet know any of the other contributor names or story titles yet. The Editor is Vincenzo Bilof.

My story “Jewels and False Memories: The Origins of a Lunatic” is a speculation on the early life events that might have inspired the obsessions that marked Salvador Dali’s art.

SurrealWorlds

The release is scheduled for Fall, 2014. Should be fun!

Children of Old Leech – It’s Gonna Be a Book!

There’s a progression of a book moving on from beginnings to become more and more real. First it’s just a concept, then it becomes a real plan, with a name and release date.

Cover art makes it seem more real, and if it’s an anthology, seeing a roster of the writers involved, and especially the titles of their stories, brings it that much closer to tangibility.

Short of actually holding the book in your hand, the two things that make it seem like it’s actually, truly going to be a real book are, 1) reading an electronic proof of the complete, edited text, and 2) seeing photos of the actual book in proof form.

I’ve had the ebook version of The Children of Old Leech for a few days now, and I’m about halfway through the book. So far, every story I’ve read is somewhere between very good and fantastic. I love the wide variety of styles and approaches taken by the different writers.

And as for seeing a copy of the actual book, we’re not quite to the final stage in the “it’s a real book” progression, but yesterday co-editor Ross E. Lockhart posted this:

oldleech-large

I love the cover design by Matthew Revert. The concept was clear from looking at digital art, but the intended sense of a real, old tome of worn leather really comes across when you see it like this.

Those of you who haven’t seen me talk about this before: this is The Children of Old Leech, a Laird Barron tribute anthology. You can read more or pre-order if interested.

Far From Streets Sold Out in Pre-Order

Far From Streets, my upcoming novella from Dunhams Manor Press, has sold out in the pre-order stage. My sincere thanks to everybody who ordered a copy!

"Far From Streets," a standalone novella from Dunhams Manor Press
“Far From Streets,” a standalone novella from Dunhams Manor Press

Once the book is published, I look forward to having a few copies of my own to give away, and maybe even sell one or two to people who ignored my too-frequent reminders about the book until it was sold out.

In other writer-ish news, I’m currently working on finishing up the last two pieces that will go into the collection I’m assembling. When the collection is finished and has found a home, naturally I’ll trumpet this information widely and often.

Ready For World Horror Convention 2014

It seems like H.P. Lovecraft Film Festival & CthulhuCon was just a few days ago, but it’s already time for the next thing. World Horror Convention 2014, also here in Portland, gets underway starting today.

It’s a Thursday-Sunday convention, four days, though the schedule is only really lengthy on Friday and Saturday. Thursday, it’s just evening programming, and Sunday it’s just late-morning to 2PM. The event takes place at the Double Tree hotel in NE Portland, adjacent to the Lloyd Center mall. It’s the same hotel where my company Christmas party happens. I expect the crowd and atmosphere to look a lot different this time!

Many of the same friends from the HPL Fest are back in Portland, while others are absent. Others are here in Portland for the first time, or at least the first time since I’ve known them. I look forward to a chance to meet up with new friends, associates and colleagues.

I’ll post lots of pictures – keep an eye on my Facebook or Twitter to see the pictures as I upload them.

Far From Streets Selling Out Fast

Sunday I mentioned that my standalone novella Far From Streets was available for preorder from Dunhams Manor Press.

I also mentioned this will be a small limited edition, and is expected to sell out fast. As of this morning, the edition is mostly gone. It’s hard to gauge from the little “availability” meter on the web store, but I’d say we’re about 2/3 sold out. If you want a copy, now’s the time. In a few days, they’ll all be gone.

ffs-teasebanner

Here’s that link to buy again. It’s only $7 for over 100 pages in a nice tidy little paperback, with a cover I designed myself using artwork I tweaked from a Gustav Klimt painting of fir trees.

Since it will sell out soon, if you buy it, read it and end up hating it, you’ll probably be able to sell it later for more than you paid! That’s better than a guarantee, isn’t it? MORE THAN your money back if not satisfied… sort of. Remember, though, this is a pre-order, so copies will not be mailed out immediately.

I appreciate the support of everyone who has ordered a copy so far.

Year’s Best Weird Fiction V.1 Short List

Michael Kelly just announced the “almost made the cut” list for Year’s Best Weird Fiction, volume 1, Edited by Laird Barron. I’m very proud and pleased to find my story “Diamond Dust on the list, among some great company.

ybwf1

Michael said: “These are the “Other Notable Works of Weird Fiction” that will be mentioned in the Year’s Best Weird Fiction, Volume 1. In essence, these are the stories that made the very short list, and were in serious final consideration to make the book.”

“Vivian Guppy and the Brighton Belle” Nina Allan, Rustblind and Silverbright

“Americca” Aimee Bender, Slate

“The Sweet Virgin Meat” Kola Boof, Exotic Gothic 5

“The Vast Impatience Of The Night” Mark Fuller Dillon, In a Season of Dead Weather

“Oubliette” Gemma Files, The Grimscribe’s Puppets

“Rocket to Hell” Jeffrey Ford, Tor.com

“The Man Who Escaped His Story” Cody Goodfellow, The Grimscribe’s Puppets

“Diamond Dust” Mike Griffin, The Grimscribe’s Puppets

“Baba Makosh” MK Hobson, The Magazine of Fantasy & Science Fiction

“Mother of Stone,” John Langan, The Wide Carnivorous Sky & Other Monstrous Geographies

“Interstate Love Affair” Stephen Graham Jones, Three Miles Past

“The Cave” Sean F. Lynch, The Magazine of Fantasy & Science Fiction

“Hideous Interview with Brief Man” Nick Mamatas, Fiddleback

“In the Darkest Room in the Darkest House on the Darkest Part of the Street” Gary McMahon, For the Night is Dark

“The Design” China Mieville, McSweeney’s 45

“All Your Faces Drown in My Syringe” Ralph Robert Moore, Black Static 37

“Black Hen a La Ford” David Nickle, Chilling Tales: In Words, Alas, Drown I

“The Last Hour of the Bengal Tiger” Yoko Ogawa, Revenge

“The House on Cobb Street” Lynda E. Rucker, Nightmare Magazine

“How I Met the Ghoul” Sofia Samatar, Eleven Eleven

“The Painted Bones” Kelly Simmons, Unlikely Story Issue 6

“Touch Me With Your Cold, Hard Fingers” Elizabeth Stott, Nightjar Press

“Abyssus Abyssum Invocat” Genevieve Valentine, Lightspeed Magazine

“The Fox” Conrad Williams, This is Horror

“On Murder Island” Matt Williamson, Nightmare Magazine

Me again. Congratulations to all the others on this list, to those who actually made it into the book (which is going to be a wonderful anthology — Table of Contents here), and thanks to Laird Barron and Michael Kelly of Undertow Publications for all the hard work. The book will be out this summer.

Far From Streets Available for Pre-Order

The prior announcement was not a hoax. FAR FROM STREETS is now ready to pre-order! It’s only $7, though I think that’s is an introductory deal, and the price will increase soon. I’ve referred to this as a chapbook, but it’s actually a full novella, over 100 pages, not some little pamphlet.

"Far From Streets," a standalone novella from Dunhams Manor Press
“Far From Streets,” a standalone novella from Dunhams Manor Press

http://dynatox.storenvy.com/collections/240632-all-products/products/7045832-far-from-streets-by-michael-griffin

I’ve described FAR FROM STREETS as “Antichrist meets The Willows.” It’s a weird tale of relationship disintegration, and the beguiling and terrifying aspects of wilderness.

This book is a limited edition, and we expect (hope) it will go out of print fairly quickly. If you’re interested in getting one, be ready to order in a super-duper hurry.