Year’s Best Weird Fiction V.1 Short List

Michael Kelly just announced the “almost made the cut” list for Year’s Best Weird Fiction, volume 1, Edited by Laird Barron. I’m very proud and pleased to find my story “Diamond Dust on the list, among some great company.

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Michael said: “These are the “Other Notable Works of Weird Fiction” that will be mentioned in the Year’s Best Weird Fiction, Volume 1. In essence, these are the stories that made the very short list, and were in serious final consideration to make the book.”

“Vivian Guppy and the Brighton Belle” Nina Allan, Rustblind and Silverbright

“Americca” Aimee Bender, Slate

“The Sweet Virgin Meat” Kola Boof, Exotic Gothic 5

“The Vast Impatience Of The Night” Mark Fuller Dillon, In a Season of Dead Weather

“Oubliette” Gemma Files, The Grimscribe’s Puppets

“Rocket to Hell” Jeffrey Ford, Tor.com

“The Man Who Escaped His Story” Cody Goodfellow, The Grimscribe’s Puppets

“Diamond Dust” Mike Griffin, The Grimscribe’s Puppets

“Baba Makosh” MK Hobson, The Magazine of Fantasy & Science Fiction

“Mother of Stone,” John Langan, The Wide Carnivorous Sky & Other Monstrous Geographies

“Interstate Love Affair” Stephen Graham Jones, Three Miles Past

“The Cave” Sean F. Lynch, The Magazine of Fantasy & Science Fiction

“Hideous Interview with Brief Man” Nick Mamatas, Fiddleback

“In the Darkest Room in the Darkest House on the Darkest Part of the Street” Gary McMahon, For the Night is Dark

“The Design” China Mieville, McSweeney’s 45

“All Your Faces Drown in My Syringe” Ralph Robert Moore, Black Static 37

“Black Hen a La Ford” David Nickle, Chilling Tales: In Words, Alas, Drown I

“The Last Hour of the Bengal Tiger” Yoko Ogawa, Revenge

“The House on Cobb Street” Lynda E. Rucker, Nightmare Magazine

“How I Met the Ghoul” Sofia Samatar, Eleven Eleven

“The Painted Bones” Kelly Simmons, Unlikely Story Issue 6

“Touch Me With Your Cold, Hard Fingers” Elizabeth Stott, Nightjar Press

“Abyssus Abyssum Invocat” Genevieve Valentine, Lightspeed Magazine

“The Fox” Conrad Williams, This is Horror

“On Murder Island” Matt Williamson, Nightmare Magazine

Me again. Congratulations to all the others on this list, to those who actually made it into the book (which is going to be a wonderful anthology — Table of Contents here), and thanks to Laird Barron and Michael Kelly of Undertow Publications for all the hard work. The book will be out this summer.

H.P. Lovecraft Film Fest & CthulhuCon Stretch Goal

If you’ve followed this blog much at all in the past, you’ve seen me mention the wonderful H.P. Lovecraft Film Fest & CthulhuCon we have here every year. In 2014 it’s in April, and I’ll be appearing once again as a guest.

Last year we hosted Mike Davis of Lovecraft eZine and the mad writer and editor Joe Pulver. Mike Davis is already confirmed for this year’s event, though it’s a bit more expensive to arrange for Pulver to fly over from Berlin.

This morning I was very excited to see Gwen and Brian Callahan, the organizers of HPLFF&CC, have set the next “stretch goal” level on the event’s Kickstarter. If they make it to $18,500 they will bring Joe to the event from Germany. We’ve already offered to host Joe at our place if he can get here, so all we need to make this a reality is to boost that Kickstarter to the next level.

Here’s the link: Kickstarter Update #5

Looking Ahead to 2014

Having completed a look back on 2013, how about what’s coming up?

READING

I plan to read a lot of books, but probably won’t review as many.

WRITING

I intend to write at least as much as I did last year. In the past, I mostly searched for upcoming themed anthologies, and wrote stories I thought might fit.

This year, at least some of my work will be written for invitations. In the past seven months or so, I’ve received five invitations. I’m usually capable of writing one story a month at best, so at this rate I’ll barely have to do anything but write for the invites I get.

I also intend to write another novella (I wrote one late in 2013 which hasn’t appeared yet), and begin a novel.

PUBLISHING

I’m also eager to see the publication of several things written last year. Of these, I can mention “No Mask Conceals the Sound of Her Voice” which will appear in a special King in Yellow themed issue of Lovecraft eZine, and “May Dawn Redeem What Night Destroys” in a Current 93 themed anthology Mighty in Sorrow. There are several others pending consideration or acceptance or other variables, so I can’t be more specific on those. One of them will be my first reprint.

My main publishing goal for the coming year is to assemble a short story collection and start the process of discussing potential publication. I’m fortunate to have several friends who are knowledgeable and experience in this area, and who don’t hesitate to nudge me onward, and try to help make this happen.

EVENTS

Speaking of crazy friends, I’m most looking forward to several conventions this year.

First, the H.P. Lovecraft Film Festival & Cthulhu Con will be held in Portland, April 11-13. I’ve been accepted as a guest again this year, and I’ll have much more to say about this event as it approaches. It really is a wonderful fun time, and anybody who enjoys weird fiction (not just Lovecraft) should absolutely attend if they’re able.

This year, the World Horror Convention will also be in Portland, May 8-11. That’s right, two world-class collections of weirdos convene in Portland in less than a month!

Last year, Lena and I made it to two conventions. This year I’d like to make it three or four. It’s possible I’ll attend something on the other side of the country, like Necon or Readercon.

Looking Back on 2013

2013 is over. It was a very good year.

I read a lot of great books, and reviewed many of them.

I wrote a lot, and wrote much better than ever before.

I published more than I expected, and began to encounter less resistance to my work. I received my first invitations to submit to projects, experience my first “pro” publication, and my first print magazine publication, and overall saw my work appear in higher profile venues than ever before.

I attended the H.P. Lovecraft Film Festival in Portland in May, and NecronomiCon in Providence in August, both accompanied by my wife Lena. At both events we met lots of great people, including writers, editors, readers, publishers, artists, filmmakers, musicians and assorted other cool folk. At HPLFF, I did my first public reading, and at NecronomiCon, I was surprised to do my second.

2013 was a much better year by every measure than 2012. I will be very happy if 2014 continues the trend.

10 Notable Reads of 2013

2013 was an exceptional year for weird and horror fiction, especially single author collections. I believe I discovered more interesting new writers than in any past year I can remember. Here are ten books I found especially noteworthy.

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The Beautiful Thing That Awaits Us All by Laird Barron

For the past few years, I’ve considered Laird Barron’s the most compelling work in the loosely affiliated genres of horror, the weird, and dark fantasy. Again and again I refer back to his earlier collections The Imago Sequence and Occultation, both full of artful yet readable stories told in powerful, striking language, each revealing a dark and chilling cosmic menace underlying our familiar reality. Barron’s latest collection explores similar territory — some stories even extend histories or settings established in earlier tales — and the best pieces, such as “Blackwood’s Baby,” rank at the very top of his oeuvre. This is the only book I read twice during 2013.

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The Wide, Carnivorous Sky by John Langan

I certainly knew Langan’s work before this, from many anthologies and “year’s best” lists, but this new collection demonstrates Langan deserves to be considered at the highest level of modern horror writers. “Technicolor” is the narrative of a teacher telling his class about Poe’s “The Masque of the Red Death,” both clever and gripping. The collection ends with a new novella “Mother of Stone,” less experimental than some of Langan’s ‘other work here (though it’s told in second person perspective, which is rare). It’s one of the few truly outstanding works of fiction I read this year, worthy of its length, and truly dreadful and frightening. With such a dexterous and confident collection, Langan rises in my estimation to rank among the most compelling writers now working.

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At Fear’s Altar by Richard Gavin

Similar to what I just said of Langan, Gavin’s latest book boosts him up several notches toward the top of my list of most interesting writers. I gave At Fear’s Altar a detailed review previously, so here I’ll just say this is one of the very best books of the year. If you’re not reading Richard Gavin, you should be, and this would be a great place to start.

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The Grimscribe’s Puppets edited by Joseph S. Pulver Sr.

I should disclaim that a story of my own appears in this book. I include it anyway, because I truly believe it to be one of the books of the year, even disregarding my own work. This anthology is a tribute to Thomas Ligotti, one of the great and influential names in dark fiction in recent decades. I found too many great stories here to list them all… a mix of work by the obvious names like Langan, Gavin, Thomas and Tremblay, along with others less established such as Livia Llewellyn, Nicole Cushing and Scott Nicolay. Even such a list omits stories of five-star quality. I would prize this book, and rank it as the year’s best anthology, even if my story didn’t appear within.

Jagannath

Jagannath by Karin Tidbeck

This is the first English language collection by a wonderful Swedish writer of weird fantasy. The stories shift from mostly naturalistic realism with a hint of the strange, gradually becoming stranger and more fantastic, until by the end Tidbeck is exploring a truly bizarre world, at once whimsical and frightening. The best works of fiction stick in the mind well after the reader has moved onto other things, and Jagannath wedged itself in my brain as stubbornly as anything I’ve read in recent years. Impressive, inspiring and strongly recommended.

Astoria Cover

Astoria by S.P. Miskowski

I wrote a full review here. Astoria is another angle on Miskowski’s Skillute cycle, this novella following Ethel Sanders, one of the primary characters in Knock Knock, the first novel to appear in this cycle. This is my favorite thing yet from Miskowski, a writer who certainly deserves watching.

Every House is Haunted

Every House is Haunted by Ian Rogers

Full review here. Rogers’s first collection shows great improvement over the years covered. The later stories, such as “The Secret Door,” are very impressive. I look forward with interest to his future efforts.

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Hair Side, Flesh Side by Helen Marshall

Many of the stories in Hair Side, Flesh Side, the debut collection of Canadian weird fantasist Helen Marshall, focus on books, libraries and manuscripts. Hair Side, Flesh Side presents a nice mix of straightforward emotions in realistic settings, balanced against off-kilter fantastic elements or surreal impossibilities. I love that these stories show great respect and affection for the world of literature, of books and stories, authors and libraries.

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Chick Bassist by Ross E. Lockhart

This was the “fun, weird read” of the year for me. Full review here. It’s a book full of the dysfunction and crazy ego and hedonism of rock and roll. I hope Ross Lockhart gives us more along these lines.

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Fungi edited by Orrin Gray & Silvia Garcia-Moreno

This anthology included especially strong stories by Barron, Langan and E. Catherine Tobler, as well as other good stuff mentioned in my full review here. There was a bit of unevenness in some of the stories, but if like me you believe a collection or anthology should be judged by its best stories rather than by its weakest, you’ll find Fungi worth checking out.

***

That’s my top ten for 2013.

I’m also tempted to include Doctor Sleep by Stephen King, which was a worthwhile read (more fantasy than horror, despite being a sequel to one of the great modern horror novels, The Shining), but I figure if King’s work is something you might enjoy, you already know about it. I’d rather highlight a few books some readers might have overlooked.

My list does not include several books I have reason to believe I would enjoy, but haven’t yet had a chance to read, or at least finish. Several that come to mind include Holes for Faces by Ramsay Campbell, Member by Michael Cisco, Tales of Jack the Ripper by Ross Lockhart, Rumbullion by Molly Tanzer, Shadows Edge edited by Simon Strantzas, Crandolin by Anna Tambour, North American Lake Monsters by Nathan Ballingrud, Staring into the Abyss by Richard Thomas, and Remember Why You Fear Me by Robert Shearman. I may have forgotten to list other notable releases of 2013, in which case I apologize. My list is not meant to be exhaustive, but merely to highlight certain items I think readers may want to consider.

Before the Year Ends

After a nice long stretch of updates, this blog went silent again. I think I’ve identified what causes these occasional dark periods here — it’s not that I have nothing to say, but that I’m pressuring myself to review a long list of books I’ve read. I don’t always have time to write reviews, so I hold off on blogging at all until I’ve had a chance to catch up.

Having recognized this problem before, I’ve tried a few tricks like writing very short reviews, or throwing several mini-reviews into a single blog post.

I’ve decided to let myself off the hook on book reviewing. I still want to recommend books that seem worthwhile, but I don’t necessarily need to review every book I read. When something strikes me as especially worthwhile or notable, I’ll mention it. I may even be inspired to write something that could be called a “review.” I just need to relinquish this self-imposed expectation that if I read a book, I’ll take notes, formulate an opinion, and express it in a formal or semi-formal review.

Having said that, I’m currently assembling a list of the best and most notable 2013 books. This has been a great year for dark, weird and horror fiction. Some of this top 10 I’ve already reviewed, and I’ll link to those reviews. Those I haven’t already reviewed in depth, I may write about in greater detail after posting my list of 10. Others I may not. I’ll post that list within the next couple days.

Recent Reads Quickly Mentioned

I’ve read so many great books lately, I’ve decided to quickly mention some of the most notable. I’ll probably offer expanded opinions of at least some of these soon.

At Fear’s Altar by Richard Gavin
At Fear’s Altar is the first Richard Gavin collection I’ve read, though I’d seen a few stories in anthologies. This impressed me very much, and raised Gavin in my estimation to among the handful of best writers of weird/horror. My full review is HERE.

Astoria by S.P. Miskowski
Astoria is a novella linked to S.P. Miskowski’s Shirley Jackson award nominated novel, Knock Knock. There’s also Delphine Dodd, another linked novella I haven’t read yet, but will soon, Astoria is a good one! Review HERE.

Joyland by Stephen King
Though Stephen King of course needs no introduction, this recent book was one a lot of his loyal readers might have missed. It’s the nostalgic story of an older man looking back on a summer he spent during college working at a low-budget amusement park in North Carolina. It’s not quite a horror story, though it has creepy moments like most Stephen King books. I enjoyed Joyland, though it’s not a major King work.

I’ll tackle the backlog a few at a time… more installments coming.

The Book of Apex, Volume 4

Apex Magazine (where my story “The Lure of Devouring Light” appeared in issue 47, April 2013) occasionally prints a book collecting reprints of all the magazine’s stories in. Each is called “The Book of Apex,” with a number.

The fourth installment is coming soon, and they just previewed the cover. I think it looks great.

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I should point out, my story is NOT appearing in this book, but will actually be in The Book of Apex #5 presumably some time in 2014. I’m just sharing this because I love the cover, and it reminded me of this upcoming reprint of one of my favorites among my own stories.

I think everyone should support Apex Magazine, either by subscribing or by purchasing these books. It’s one of the most interesting short fiction magazines out there, working across horror, fantasy and even sometimes science fiction boundaries.

H.P. Lovecraft Bronze Bust Unveiling

No time for much of a blog post, but there’s still a lot of NecronomiCon Providence stuff I want to get to.

For today, enjoy this great video of an important event: the unveiling of the H.P. Lovecraft bronze bust. This amazing work was created by sculptor Bryan Moore, who presents a nice, tidy figure here, as compared to the wild party-man I met before and during the Lustmord and Neurosis concert.

(Note: the video is by Todd Chicoine, part of a documentary about NecronomiCon Providence 2013 that is in progress as of this writing. My thanks to Todd for permission to link this video here.)

For more information about this project, here are some links:

HPL Bronze Bust Project Facebook Page

HPL Bronze Brust Project Tumblr (lots of good photos)

HPL Bronze Bust Kickstarter (already funded and closed, but here for background and reference)

Bryan Moore did some very impressive work here. The entire community of Lovecraftians and aficionados of weird fiction also owe their gratitude to all those who funded and supported this project through to completion.

Reading With Pulver, Nicolay and Barron

In an earlier post, I mentioned the surprise reading. If you don’t know what I’m going on about, check out Reading Between Greats and come back.

Joe had already warned me and Scott Nicolay we must be present, so we had an idea he had some plans in store. When this picture was taken, Joe was up at the table fiddling with paper. That’s me, Lena, Scott Nicolay and Lady Lovecraft in front. Behind LL is Justin Steele, behind him Cody Goodfellow, and waaayyyy in the back, Laird Barron.

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Joe, better known as Joseph S. Pulver Sr., read a story that will be published in S.T. Joshi’s “Mountains of Madness” themed anthology. In his introduction, Joe described his motivation in writing the story as trying to imagine “What if Laird Barron wrote a riff on At the Mountains of Madness?”

He carried along a copy of the anthology he edited, The Grimscribe’s Puppets, but didn’t read from it. This didn’t seem unusual. Lots of writers carry their latest book up to the table or stage during readings and panels, so people will see it and be mind-controlled into buying a copy.

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Joe’s reading was excellent. He stopped about halfway through his story, and said he and Laird both felt strongly about the importance of helping boost newer writers by lending attention and offering endorsement.

He held up his copy of Grimscribe’s, said a few flattering things about me and about Scott Nicolay, and asked us to come up and read selections from our stories in that anthology. Me first.

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I recall thinking “I should be really nervous.” I did feel on the spot, unsure how to begin. A story came to mind, a recurring dream I used to have about going to a David Bowie concert. I’d sit in the front row, and before the band started, Bowie would call me up to the stage and insist that I play guitar for them. I’m certainly no guitar player, but in the dream, I make a go of it, convinced that good intentions and zeal will allow me to bluff my way through, playing in place of Ronson, Fripp and Alomar.

I told the audience, “This feels something like that dream,” then read the beginning of “Diamond Dust.”

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It seemed to go well, though that’s hard to gauge as it’s happening. People applauded.

Scott Nicolay came up, and wisely skipped the sort of preamble and introduction I offered. He read a chunk of his excellent tale, “Eyes Exchange Bank,” drawing laughs in all the right places.

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Laird Barron came up last, and read the entirety of “D T” from the Pulver-edited King-in-Yellow-themed anthology, A Season in Carcosa. It’s a wonderful story, full of dark unease as well as humor, and pseudo-biographical portraits of recognizable figures, primarily Karl Edward Wagner.

I’ve read “D T” several times before, and very much enjoyed hearing it in Laird’s own voice.

The reading came full circle, from Joe mentioning Laird’s inspiration in his story, to Laird reading his story from a book edited by Joe. And in between, two writers with the highest respect for Barron and Pulver. This was a very special opportunity for Scott and me.

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Afterward, many people came up and said nice things. We all signed many books, that is, Scott and I signed The Grimscribe’s Puppets, and Laird and Joe signed their many, various other things. I watched one guy pull out a stack of at least a dozen Barron collections, novels, and anthologies in which his stories appear.

There were questions about Grimscribe’s, and comments from a few who had already read it. One guy told me he was going to run upstairs, buy a copy, and hurry right back so Scott and I would sign it. Also in the room were other contributors to the same anthology, such as Richard Gavin, Cody Goodfellow and Simon Strantzas, so it was a great opportunity for a reader to grab several signatures, including that of Editor Pulver.

Later, when Scott, Lena and I went to lunch, a guy came into the burrito place and asked, “Was it you, just reading with Laird Barron and Joseph Pulver?”

I affirmed that we were. He said he’d enjoyed the reading, and had tried to buy the book, but found it sold out. I told him he must be wrong, that he should’ve asked at the Miskatonic River Press table, because I knew they’d had quite a few copies left before the reading.

It turned out he was right. There was at least some kind of run on these books after the reading. If Scott and I allow ourselves to imagine we had some part in creating a bit of buzz about the book, this is the greatest possible feeling. I’m already very grateful to be included in the book to begin with, and the reading was a wonderful treat.

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The book is currently available from Amazon in three formats: Hardcover (of the casewrap variety, not cloth-cover-with-paper-dustjacket), Paperback and Kindle. Direct link HERE. You’ll also be able to grab it from Miskatonic Press, as soon as Tom Lynch obtains more copies, HERE.

Again, thanks to Joe Pulver, Laird Barron, Scott Nicolay, Tom Lynch, and everybody who attended the reading.